Categories
languages

Alveolar Trills Revisited: Enter the Tiger

Since my original post on the topic, I’ve tried many methods to learn to produce a rolled ‘r’.  After quite a bit of practice, I managed to come up with an alveolar flap that sounds more-or-less like it should, but a sustained trill remained elusive…until now.

Commenter falco (whose comment, I admit shamefacedly, was missed and has languished in the approval queue since January) writes of his early troubles (and recent success) learning the trill:

I am 32 now, my mother tongue has the alveolar trill; however, I was the only one of the family and the class (in the past) that couldn’t produce it; so around the age of 6, they forced me to learn the uvular trill by gargling water, as it was believed in those times that all sounds must be learnt before the age of 7 or it would be to late. So, I spoke my own mother tongue wit a uvular trill, which always made certain people think I was originally from somewhere else, an immigrant in my own country (first frustration).

[…]

It is an article on the internet that I found a little time ago that changed everything: http://www.wikihow.com/Roll-Your-%22R%22s

In days, I learnt to roll my ‘r’ by using the “Tiger Method”. I also used the site http://www.uiowa.edu/~acadtech/phonetics/spanish/frameset.html under “vibrantes” and then [r] to see the different steps of the sound-reproduction. As none of the above techniques in this website had worked for me in the past; apparently the tiger method was the only one that did it for me starting from a uvular trill.

What is the tiger method?  I was initially skeptical, as other initally-promising methods that I’d tried had met with only indifferent success.  wikiHow (whose Creative Commons attribution clause states that I need to write that this excerpt comes from “wikiHow.com – The How-To Manual That Anyone Can Write or Edit”) describes it as follows:

The key to rolling R’s is creating the proper vibration. The vibration starts at the back of the tongue and moves toward the tip of the tongue (like a wave). If you can produce the German “acht” or Arabic and Yiddish pharyngeals and basically clear your throat, then you can roll R’s. This seems counter-intuitive because rolled R’s are pleasing to the ear – whereas pharyngeals are harsh. The vibration is the key and the same technique is needed to roll R’s. Remember: The air passing through your larynx and mouth makes the sound.

  1. Start by practicing that clear-your-throat “ckh” sound. Try to turn it into a “grr”. Don’t be afraid of sounding ridiculous. Do whatever it takes to make the roof of your mouth vibrate. (This skill also comes in handy when speaking Chewbacca and making a variety of animal noises.) Practice getting the feel for that vibration. Your throat might get a little sore at first. You’re working out “new” muscles and they’ll get stronger with use.
  2. Press the tip of your tongue against the alveolar ridge behind your teeth. Your tongue touches the right spot when you finish saying the letter L and the letter N. Say L or N and at the end of the sound keep your tongue firmly in place. Try to say “girl” and “hurl” without removing the tip of your tongue from your alveolar ridge. Use the clear-your-throat vibration to start the word and try to form the vibration into a rolled R. Initially, use the “G” sound to kickstart a rolled R. At first, you will sound like a strangled tiger (grr, grr, grr), but you’lI start rolling R’s. Eventually you will be able to purrr using purrrfectly rrrrrolled Rrrrrrrrrrrrrr’s.
  3. Practice and refine. Once you can get your R rolling, experiment with the position of the tip of your tongue. To move the sound toward the front of your mouth, add the “Z” sound in front of your R. Practice adding vowel sounds (ah, ee, uh, o, oo) before and after the rolled R’s.

My instant results were astonishing.  At first, it sound much like someone trying to strangle a pig.   (This method is not for the self-conscious!)  Almost immediately, though, my tongue started vibrating with the airflow.  Within five minutes I managed something that sounded (and seemed to feel) like an actual alveolar trill.

This method is a little hard on the throat, and after ten minutes I was starting to feel a bit light-headed.  I will be continuing to practice over the next week, and will report on how it goes.  At the moment, once I achieve the trill I can sustain it indefinitely, but there is much hunting around before tongue and airflow find the right position and balance of tension.  If I attempt to transition into a word, it falls apart.

falco concludes his comments:

I’m now practicing to soften the trill a little more and use it in different words of different difficulty levels… but I am confident that it’s just a matter of time now before I can speak fluently with a rolling r, the alveolar trill!
Record your voice on a computer/mobile and listen to yourself in order to easily define errors or its evolution, compare it to the recorded r-sounds on the above-given website (www.uiowa.edu)… and most importantly: DON’T GIVE UP, you might sound ridiculous at the beginning but we can all learn it!

Intelligent bloody-mindedness is the key.  If you’ve been trying to learn to roll your ‘r’s, I strongly recommend giving the tiger method a try.  If anyone has successes (or failures) using this method, I’d love to hear about them.

6 replies on “Alveolar Trills Revisited: Enter the Tiger”

when you are doing the “growl” or “chewbacca” in the tiger method, are you effectively doing the uvular trill? I think that’s where I am at… and when I try to “move it forward” in my mouth, it still feels like an uvular trill but the tongue is shaking a little too… that is.. I can still feel that my uvula is pointed forward.

what’s the back of your throat doing here?

I read about many alveolar trill techniques a week ago — possibly in your comments section, including the one by falco. Finally tried it today…and it sits in a weird place in my mouth. But it totally works!!! Thank you!!!

Joe, Mark, and Becky,

Thanks for the interest! I have managed to refine the sound produced by this method, but it’s still difficult to achieve in the context of a word.

Joe’s question is to the point: my glottis is definitely vibrating along with the tongue, though the sound is quite different than an uvular trill. At this point, I need to lock an actual person in the room with me and force them to produce several hundred alveolar trills while I listen and try to peer into his or her mouth with a flashlight.

Any, um, volunteers?

I didn’t even stick strictly to the instructions above, but just having my mind on them led me to trill just minutes into practice 0_0

My trill is currently against my teeth, but I think a little practice will place it on the alveolar ridge. At first, it was hard to voice the trill, but I can do it now. I still can’t connect it to vowels, but again, I’ll get it with practice.

I saw the Wikihow guide years ago I think, but I had already tried the other methods listed there and felt like an idiot. Seeing this feedback made me decide to give it a chance.

I am an English speaker studying Latin, Greek, and a little Spanish. Thanks for writing the post that took this handicap from my studies 🙂

Leave a Reply

Your email address will not be published. Required fields are marked *